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FOR IMMEDIATE RELEASE Jil Weinstock: Waistline
March 2 – 25, 2006 |
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Jessica Hemmings writes, "The amber color of the rubber is similar to that of sepia-toned photographs – precious mementos of lives no longer with us" (Fiberarts January/February 2006). This analogy is particularly appropriate in reference to WEINSTOCK's group of cast-rubber ovals that have a familial relationship with each other. Connected like a veritable genealogical study of shape, scale and color, these new pieces, while diminutive individually, are monumental when viewed as a whole. WEINSTOCK's most recent work allows the luscious fabrics of full-skirted dresses to escape the confines of the rubber and spill down the wall or, in the case of the floor pieces, pool around the central disk where all the structure of the dress is compressed. These pieces have a sense of promise and anticipation, as many of them hallmark a rite of passage: first party, prom or wedding. Related, but with a much more critical eye to formalist concerns and color relationships, are the exposed zipper pieces. Here the zippers are not just a reference to clothing, but are in fact the focus in these works and WEINSTOCK uses their colors and lengths to create color studies based on the dresses. WEINSTOCK received a joint MFA from University of California Berkeley and San Francisco Art Institute in 1995. She lives in New York City and currently teaches at the School of Visual Arts, New York. The exhibition will be on view at the Charles Cowles Gallery, 537 West 24th Street, between 10th and 11th Avenues in Chelsea. Hours are 10am to 6pm, Tuesday through Saturday.
There will be a reception for the artist on Saturday, March 4 from 6-8 pm. For further information or photographs, please contact the gallery. Above image: Halter Garden, 2006, rubber and fabric, 24" diameter |
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