FOR IMMEDIATE RELEASEVernon FisherNew PaintingsOctober 12 – November 16, 2002 |
|
|
As a metaphor for the mind, Fisher’s blackboard images connect ideas to form patterns that continually reshuffle; some come to the foreground, others recede under layers of erasure. The selection of pictures grants an intimate view into the artist’s interior dialogue and the thought process that leads him from appealing shapes to formal ideas. Fisher thinks of the vignettes akin to spot repairs on cars, perhaps to plug a flood of infinite image sets. Compared to his earlier blackboards the slate here is more vacant and the images more straightforward, as if the whole has recently been wiped clean with a wet cloth. Though the chalked imagery is eclectic, each vignette contains water: an insurmountable snowy peak, a parachutist landing in water, a fisherman reeling in a prized Marlin. Traditionally water is a symbol of infinite possibility; it is unformed and therefore can signify birth, death and regeneration.
Fisher’s works are in distinguished museum collections including the Museum of Modern Art, New York; the Solomon R. Guggenheim Museum, New York; the Whitney Museum of American Art, New York; the Art Institute of Chicago; the Hirshhorn Museum and Sculpture Garden, Washington, DC; the San Francisco Museum of Modern Art; Modern Art Museum of Fort Worth, TX; and the Los Angeles County Museum of Art.
The exhibition will be on view at the Charles Cowles Gallery, 537 West 24th Street, between 10th and 11th Avenues in Chelsea. Hours are 10am to 6pm, Tuesday through Saturday.
For further information or photographs, please contact the gallery.
Above image: Fold, 2002, oil and blackboard slating on wood, 75 x 83”