WILLIAM T. WILEY
BORN:
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1937 |
Bedford, IN |
EDUCATION:
|
1962 |
Master of Fine Arts, San Francisco Art Institute, San Francisco, CA
|
|
1961 |
Bachelor of Fine Arts, San Francisco Art Institute, San
Francisco, CA |
AWARDS:
|
1980 |
Australian Arts Council, traveling grant |
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1976 |
The Art Institute of Chicago, Bartels Prize, 72nd
American Exhibition |
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1968 |
San Francisco Art Institute, Nealie Sullivan Award |
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Whitney Museum of American Art, Purchase Prize |
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University of California at Davis, Creative Arts Award |
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1962 |
Los Angeles County Museum of Art, Sculpture Prize |
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The Art Institute of Chicago, Painting Prize, 65th
Annual Exhibition, |
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1961 |
Art in America, New Talent Award |
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1960 |
Oakland Annual, First Prize in Painting |
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California School of Fine Arts, Fletcher Award |
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California School of Fine Arts Festival, First Prize |
|
1959 |
California School of Fine Arts, Painting Prize |
SELECTED ONE PERSON EXHIBITIONS:
|
2003 |
New Watercolors: “My Counrty, is it Thee?”,
Marsha Mateyka Gallery, Washington, DC |
|
2002 |
Before & After, Rena Bransten
Gallery, San Francisco, CA |
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William T. Wiley, John Natsoulas
Gallery, Davis, CA |
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William T. Wiley: Before
& After, Boise Art Museum, Boise,
ID |
|
2001 |
No
Bull, Morgan Gallery, Kansas City, MO |
|
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Unobjektive Art, Marsha Mateyka Gallery,
Washington, DC |
|
2000 |
Recent
and Relevant, Riva Yares Gallery, Scottsdale, AZ, Santa Fe, NM |
|
|
The String Theory…Is It…Sound? Yours As Ever, Marked
Twine, L.A. Louver, Venice, CA |
|
1999 |
Doubtsidersarte, Rena Bransten
Gallery, San Francisco, CA
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|
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Locks Gallery, Philadelphia,
PA (catalogue) |
|
1998 |
When
Prints Don’t Work, William T. Wiley,
U.M.K.C. Gallery of Art, Kansas City, MO |
|
1997 |
Realistic
Abstractions, Where Now & Then Collude, Marsha Mateyka Gallery, Washington, DC |
|
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Animal
Writes, Riva Yares Gallery, Santa
Fe NM |
|
|
60
Works for 60 Years, Albrecht-Kemper
Museum, St. Joseph, MO (traveled) |
|
1996 |
Nothing
Lost From The Original, Fine Arts Museum of San Francisco, California
Palace of The Legion of
Honor, San Francisco, CA |
|
|
William
T. Wiley Celebrates 125 Years of the S.F. Art Institute,
Rena Bransten Gallery, San Francisco,
CA |
|
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Seed Com,
Sheldon Memorial Art Gallery, U. of Nebraska, Lincoln, NE |
|
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Locks Gallery, Philadelphia, PA |
|
1995 |
What's
Missing, Marsha Mateyka Gallery, Washington, DC |
|
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Walker Hill Museum, Seoul, Korea |
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Selections from
The Forest Series, Sawhill Gallery, James Madison University, Harrisonburg,
VA |
|
1994 |
Recent
Work, Max Protetch Gallery, New York, NY |
|
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Forest
Series, Locks Gallery, Philadelphia, PA |
|
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Afterburner,
Rena BranstenGallery, San Francisco, CA |
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New
Monotypes, June,
Aurobora Press, San Francisco, CA |
|
1993 |
New
Paintings, Rena Bransten Gallery, San Francisco, CA |
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Indiana University Art Museum, Bloomington, IN
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|
1992 |
Small
Paintings, L.A. Louver, Venice, CA |
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One
Man's Moon..., Marian Locks Gallery, Philadelphia, PA |
|
1991 |
Struck!
Sure? Sound/Unsound, The
Corcoran Gallery of Art, Washington, DC; traveled to Contemporary Arts Center,
Cincinnati, OH; Southeastern Center for Contemporary Art, Laguna Beach, CA |
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Recent
Paintings and Watercolors, Marsha Mateyka Gallery, Washington, DC |
|
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Robert Hudson: Sculpture/William T. Wiley: Paintings,
Rose Art Museum, Brandeis University,
Waltham, MA |
|
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What
Is Not Dancing In Time?, L.A.
Louver, Venice, CA |
|
1990 |
William
T. Wiley at Riva Yares Gallery, Riva Yares Gallery, Scottsdale, AZ |
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Graphics, Persons & Lindell, Helsinki, Finland |
|
1989 |
New
Paintings, Constructions and Watercolors, Struve Gallery,
Chicago, IL; Fuller Gross Gallery, San
Francisco, CA |
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William
T. Wiley at Crown Point Press, Crown Point Press, San
Francisco, CA & New York, NY |
|
1988 |
William
T. Wiley, A Decade of Prints, Landfall Press, Chicago,
Illinois, & New York, NY |
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Paintings,
Drawings, Watercolors, Max
Protetch Gallery, New York, NY |
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Recent
Works on Paper, Marsha
Mateyka Gallery, Washington, DC |
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Recent
Paintings and Drawings,
Richard L. Nelson Gallery, University of California at Davis, Davis,
CA |
|
1987 |
What
Is Not Drawing?, L.A.
Louver, Venice, CA |
|
|
What
Is Not Music?, Frankfurter
Kunstverein, Frankfurt, West Germany; Galerie Grita Insam, Vienna,
Austria |
|
1986 |
Hammarskjold Plaza Sculpture
Garden, New York, NY |
|
|
Recent
Paintings and Watercolors, Alan Frumkin Gallery, New York, NY; Fuller
Goldeen Gallery, San Francisco, CA;
Goldie Paley Gallery, Moore College of Art and Design, Philadelphia, PA |
|
1985 |
Alberta College of Art, Calgary, Canada; Frumkin &
Struve Gallery, Chicago, IL |
|
1984 |
Steal
Witness For the Time Being, San Francisco Museum of Modern Art, San Francisco, CA; traveled to Newport
Harbor Art Museum, Newport Beach, CA; University of Northern Iowa Gallery of
Art, Cedar Falls, IA; Palm Springs Desert Museum, Palm Springs, CA; Boise Art
Museum, Boise, ID; Madison Art Center, Madison, WI; Center on Contemporary
Art, Seattle, WA |
|
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L.A. Louver, Venice, California
|
|
1983 |
Hansen Fuller Gallery, San
Francisco, CA |
|
1982 |
William
T. Wiley: 1982, Santa
Barbara Contemporary Arts Forum, Santa Barbara, CA; traveled to Morgan Gallery,
Shawnee Mission, KS; Foster Gallery,
University of Wisconsin, Eau Claiure, WI |
|
1981 |
William
T. Wiley, The Charles H. Scott Gallery, Emily Carr College of
Art, Vancouver, BC, Canada;
Allan Frumkin Gallery, New York, NY |
|
|
William
T. Wiley, Florida State University Gallery and Museum,
Tallahassee, FL; traveled to Florida International
University Art Museum, Miami, FL; U.S.F. Contemporary Art Museum, University
of Southern Florida, Tampa, FL |
|
1980 |
Realities Gallery,
Melbourne, Australia, and Institute of Modern Art, Brisbane, Queensland,
Australia |
|
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Hansen Fuller Gallery, San Francisco, CA |
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1979-81 |
Wiley
Territory, Walker Art Center, Minneapolis, MN; traveled to
Dallas Museum of Fine Arts, Dallas, TX; Denver Art
Museum, Denver, CO; Des Moines Art Center, Des Moines, IA; San Francisco
Museum of Modern Art, San Francisco, CA; Phoenix Art Museum, Phoenix, AZ |
|
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Allan Frumkin Gallery,
Chicago, IL |
|
1978 |
Myra Morgan Gallery, Shawnee
Mission, KS |
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Hansen Fuller Gallery, San
Francisco, CA |
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1977 |
Galerie Paul Facchetti, Paris, France |
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1976 |
Museum of Modern Art, New York, NY |
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Margo Leavin Gallery, Los Angeles, CA |
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1975 |
Margo Leavin Gallery, Los Angeles, CA |
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1974 |
Hansen Fuller Gallery, San Francisco, CA |
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Allan Frumkin Gallery, Chicago, IL |
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1973 |
Stedelijk van Abbemuseum, Eindhoven, The Netherlands |
|
1972 |
University Art Museum, University of California at
Berkeley, Berkeley, CA; traveled to: Chicago Art
Institute, Chicago, IL; The Corcoran Gallery, Washington, DC |
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Hansen Fuller Gallery, San Francisco, CA |
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Allan Frumkin Gallery, Chicago, IL |
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Margo Leavin Gallery, Los Angeles, CA |
|
1971 |
Studio Marconi, Milan, Italy |
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Hansen Fuller Gallery, San Francisco, CA |
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1969 |
Hansen Fuller Gallery, San Francisco, CA |
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Allan Frumkin Gallery, Chicago, IL |
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1968 |
Hansen Fuller Gallery, San Francisco, CA |
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1967 |
Art Gallery, Mills College, Oakland, CA |
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1965 |
Lanyon Gallery, Palo Alto, CA |
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1964 |
Staempfli Gallery, New York, NY |
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1962 |
Staempfli Gallery, New York, NY |
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1960 |
San Francisco Museum of Modern Art, San Francisco, CA |
|
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Staempfli Gallery, New York, NY |
SELECTED GROUP EXHIBITONS:
|
2002 |
High Tech/Low Tech Hybrids:
art in a digital age, Bedford Gallery, Dean Lesher Regional Center for the Arts,
Walnut Creek, CA |
|
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Night Skies & Imaginary
Coordinates: The Artist as Navigator,
Palo Alto Cultural Center, Palo Alto, CA |
|
2001 |
Music in My Soul, Portsmouth Museums,
Portsmouth, VA |
|
2000 |
Riva
Yares 2000, the First 35 Years, Riva Yares Gallery,
Scottsdale, AZ & Santa Fe, NM |
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The
Lighter Side of Bay Area Figuration, San Jose Museum of Art, San
Jose, CA; Kemper Museum of
Contemporary Art, Kansas City, MO |
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Fallout,
Meridian Gallery, San Francisco, CA |
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Celebrating
Modern Art, The Anderson Collection, San Francisco Museum of
Modern Art, CA |
|
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An
American Focus: The Anderson Graphics Art Collections, California
Palace of the Legion of Honor, San Francisco, CA |
|
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Crossroads of American Sculpture, David
Smith, George Rickey, John Chamberlain, Robert Indiana, William T. Wiley, Bruce Nauman, Indianapolis Museum of Art, IN; New Orleans
Museum of Art, LA |
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A Decade of Collecting: Recent Acquisitions of
Prints and Drawings, 1940-2000,
Harvard University Art Museum, Cambridge, MA |
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Select Prints Shark’s Ink, William Havu Gallery, Denver, CO |
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Made in California, Los Angeles County Museum of Art, CA |
|
1999 |
Art at the End of the Century: Contemporary Art
from the Milwaukee Art Museum,
Milwaukee, WI; traveled to Scottsdale Museum of Contemporary Art, Scottsdale,
AZ (catalogue) |
|
|
Piecing it Together: A Visual Journey, San
Jose Museum of Art, San Jose, CA |
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Homage
to the San Francisco Art Institute: A Selection of Artists Who Reshaped
American Culture, Hackett Freedman Gallery, San
Francisco, CA (catalogue) |
|
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Making Change: 100 Artists Interpret the Tzedakah Box, The
Jewish Museum, San Francisco,
CA |
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25th
Anniversary of the Hirshhorn Museum and Sculpture Garden,
Hirshhorn Museum and Sculpture Garden, Washington,
DC (catalogue) |
|
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California
Classics: Highlights from the Collection of the San Francisco Museum of
Modern Art, Tokyo, Japan; Kukui City Art
Museum, Fukui, Japan; MOMA, Wakayama, Japan; tochigi Prefectural Museum of
Fine Art, Tochigi, Japan (catalogue) |
|
1998 |
What
is Art For? William T. Wiley and Mary Hull Webster,
Oakland Museum of Art, Oakland, CA |
|
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Collaborations:
William Allan Robert Hudson, William Wiley, Palm Springs Desert
Museum, Palm Springs,
CA |
|
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Art
Making Book Making Art, San Francisco Art Institute, San Francisco, CA |
|
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The Painting Show, Rena Bransten
Gallery, San Francisco, CA Lead
Into Gold, Arts & Consciousness Gallery, John F. Kennedy
University Arts Annex, Berkeley, CA |
|
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Form
& Function of Drawing Today – 90’s, Messe Frankfurt, Frankfurt,
Germany |
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A
Singular Vision: Prints from Landfall Press, The Museum of Modern
Art, New York, NY |
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Summer
Print Show, Marsha Mateyka Gallery, Washington, DC |
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Drawings,
Marsha Mateyka gallery, Washington, DC |
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Drawings
1856-1996, Addison/Ripley Fine Art, Washington, DC |
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One
to Another, Indiana State University, Terre Haute, IN |
|
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Art
of the Americas: 100 Years of Collecting, Furman Art Gallery,
Indiana State University, Terre Haute, IN |
|
1997 |
Art
of the Americas Pride of Place, M.H. de Young Memorial
Museum, San Francisco, CA |
|
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New
Collaborative Works, Robert Hudson, Richard Shaw, William T. Wiley, San
Francisco Art Institute, 505
Sansome Street Lobby Gallery, San Francisco, CA |
|
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Homage
to George Herriman, Campbell-Thiebaud Gallery, San Francisco, CA
(catalogue) |
|
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The
Hirshhorn Collects, Recent Acquisitions 1992-1996,
Hirshhorn Museum and Sculpture Garden, Washington, DC |
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20/20
CAF Looks Forward and Back, Santa Barbara Contemporary
Arts Forum, Santa Barbara,
CA |
|
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Singular
Impressions: The Monotype in America, National Museum of American
Art, Washington, DC |
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Contemporary
Sculpture: The Figurative Tradition, Sheldon Memorial Art
Gallery, Lincoln, NE |
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Di
Rosa Preserve, di Rosa Preserve, Napa, CA |
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Landfall
Press: Twenty-Five Years of Printmaking, Milwaukee, WI &
Davenport Art Museum, Davenport, IA |
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New
Collaborative Works Created at Magnolia Editions, Robert Hudson, Richard Shaw
and William Wiley, California State University, Hayward, CA |
|
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Thirty-Five
Years at Crown Point Press, National Gallery of Art,
Washington, DC; Palace of Legion of Honor,
San Francisco, CA |
|
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Generations:
The Lineage of Influence in Bay Area Art, Richmond Art Center,
Richmond, CA |
|
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Art-In-The-Woods,
Overland Park, KS |
|
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48th
Annual American Academy Purchase Exhibition, The American Academy
of Arts and Letters, New
York, NY |
|
1996 |
Imaginary
Realities: Surrealism Then and Now, Louis Stern Fine Arts, West
Hollywood, CA |
|
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Fables
and Second Thoughts, Norman R. Eppink Art Gallery, Emporia State
University, Emporia, KS |
|
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Working
Proof, 20 Years of Prints from Shark’s Inc., U.C. Art Galleries,
University of Colorado at
Boulder, CO |
|
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Signs
& Symbols, Barbara Mathes Gallery, New York, NY |
|
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Figuratively Speaking, Aurobora Press, San
Francisco, CA |
|
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Acquiring
Minds: Contemporary Art in Santa Barbara, Santa Barbara
Contemporary Arts Forum, Santa
Barbara, CA |
|
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Contemporary
Printmaking in America: Collaborative Prints and presses,
National Museum of American Art,
Washington, DC |
|
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Mirth,
Merriment and the Muse, National Institute of Art and Disabilities,
Richmond, CA |
|
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Selections
from the ISU Permanent Art Collection, Furman Art Gallery, Indiana
State University, IN |
|
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It’s
Only Rock and Roll, Rock and Roll Currents in Contemporary Art,
Contemporary Arts Center, Cincinnati, OH
(catalogue; traveled) |
|
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Altered
and Irrational: Selections from the Permanent Collection,
Whitney Museum of American Art, New York,
NY |
|
|
The
Stephane Janssen Collection of Contemporary American and European Art: In
Memory of R. Michael Johns, The Fred Jones Jr. Museum of Art, The
University of Oklahoma, Norman, OK |
|
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Anniversary
Gifts to the Collection, University of California, Berkeley, CA |
|
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Temporarily
Possessed: The Semi-Permanent Collection, The New Museum of
Contemporary Art, New York,
NY |
|
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Timeless
Paintings from USA, 17 Rue De Lille, France |
|
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Vested
Power: Icons of Domination and Transcendence,
Main Gallery, Visual Arts Complex, California State University, Fullerton, CA |
|
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Andre
Milan exhibits American Miniatures, Folka de S. Paulo, Sao
Paulo, Brazil |
|
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From
Matisse to Diebenkorn: Works from the Permanent collection of Painting and
Sculpture, San |